Contenuto
- Einführung
- Introduction
- Introduction
- Tzigane
- Sources / Critical Commentary
Concert rhapsody
Bärenreiter Urtext
per | violino, pianoforte |
Edizione | spartito per pianoforte, parte sola (edizione Urtext) |
№ dell’articolo | 609562 |
Autore / Compositore | Maurice Ravel |
Editore | Douglas Woodfull-Harris |
Formato | 36 Pagine; 24 × 31 cm |
Durata | 10 minuti |
Anno di pubblicazione | 2012 |
Editore / Produttore | Bärenreiter |
N° del produttore | BA 8849-90 |
ISMN | 9790006541553 |
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D’Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D’Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel’s virtuoso classic “Tzigane”.
Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated “Tzigane” and both versions remain a “must” for music-lovers and aspiring violinists today. Jelly D’Aranyi performed both versions regularly throughout her long career.
This Urtext edition presents the first scholarly-critical edition of Ravel’s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer’s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of “Tzigane” from the estate of Jelly D’Aranyi, which is today part of a private collection.
The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D’Aranyi. D’Aranyi’s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D’Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.
Konzertrhapsodie für Violine und Orchester
BÄRENREITER URTEXT
per: Violine solo, Orchester
partitura (edizione Urtext)
№ dell’articolo: 609561
Concert rhapsody
Bärenreiter Urtext
per: violino, orchestra
parti con struttura armonica (completa)
№ dell’articolo: 618382
Concert rhapsody
Bärenreiter Urtext
per: violino, orchestra
violino 1 (parte orchestrale)
№ dell’articolo: 618383
Concert rhapsody
Bärenreiter Urtext
per: violino, orchestra
violino 2 (parte orchestrale)
№ dell’articolo: 618384
Concert rhapsody
Bärenreiter Urtext
per: violino, orchestra
viola (parte orchestrale)
№ dell’articolo: 618385
Concert rhapsody
Bärenreiter Urtext
per: violino, orchestra
contrabbasso (parte orchestrale)
№ dell’articolo: 618381
Concert rhapsody
Bärenreiter Urtext
per: violino, orchestra
violoncello (parte orchestrale)
№ dell’articolo: 618386
Esiste un sito web Stretta specifico per il paese Mondiale. Se l’ordine deve essere consegnato in questo Paese, è possibile passare all’altro sito in modo da visualizzare correttamente i tempi di consegna e le condizioni di spedizione. Il vostro carrello e il vostro account cliente rimarranno invariati.
Passare a Stretta Music Mondiale rimanere su Stretta Music Italia