Phedre Ouverture

0 Full Score A3 - 1 Full Score - 1 Piccolo - 4 Flute I - 4 Flute II - 1 Oboe I - 1 Oboe II - 1 Bassoon I - 1 Bassoon II - 5 Clarinet I - 5 Clarinet II - 5 Clarinet III - 1 Bass Clarinet - 4 Alto Saxophone - 2 Tenor Saxophone - 1 Baritone Saxophone - 2 Cornet I - 2 Cornet II - 2 Trumpet I - 2 Trumpet II - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 1 Baritone C - 1 Baritone Bb (BC) - 2 Baritone Bb (TC) - 1 Baritone II C - 1 Baritone II Bb (BC) - 2 Baritone II Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 4 Tuba C - 1 Stringbass - 3 Percussion - 1 Timpani

The French composer Jules Massenet (1842-1912) was a pupil of Ambroise Thomas and was awarded a Grand Prix de Rome. He composed several successful operas such as 'Hérodiade' (1881) and 'Manon' (1884). From 1878 to 1896 he taught composition at the Paris Conservatory of Music. His orchestral suites 'Scènes pittoresques', 'Scènes napolitaines' and 'Scènes alsaciennes' are still very popular with bands, and so is the famous 'Meditation' from his opera Thaïs as well as the ballet music 'Le Cid'. It was for a performance of the renowned tragedy 'Phèdre' by Jean Racine (1639-1699) at the Paris Odeon Theatre on 8 December 1900 that Massenet wrote some scenic music. Yet in 1873, at the request of Jules Pasdeloup, he had already composed a concert overture 'Phèdre', the second of a series of three overtures. This overture was also inspired by Racine's tragedy in five acts written in 1677 and based on dramas by the Greek author Euripides and the Roman author Seneca. Phèdre, wife of Theseus, is consumed by passion for her stepson, Hippolytus who repulses her. With the proverbial fury of a woman scorned, Phèdre poisons the mind of Theseus against his son. Theseus commits Hippolytus to the vengeance of Neptune, while Phèdre, overcome by remorse commits suicide. With this play, Racine introduced the Greek notions of fatality and predestination into the French theatre. Massenet succeeded very well in evoking the fascinating drama by means of this thrilling overture.