Counterdances from the Lowlands

0 Full Score A3 - 1 Full Score - 2 Soprano Saxophone - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 1 Flugelhorn Eb - 4 Flugelhorn I - 4 Flugelhorn II - 4 Flugelhorn III - 3 Trumpet I - 3 Trumpet II - 3 Trumpet III - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Baritone C - 1 Baritone Bb (BC) - 2 Baritone Bb (TC) - 1 Baritone II C - 1 Baritone II Bb (BC) - 2 Baritone II Bb (TC) - 1 Euphonium C - 1 Euphonium Bb (BC) - 2 Euphonium Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 1 Percussion I - 1 Percussion II

We start our trip in Wallony, the French speaking part of Belgium where folk music is having a big revival nowadays. A solo cornet invites us with a classic opening as a little promenade to the dance, always accompanied by a tenor drum. Some instruments join but the cornet ends up alone. When the euphoniums present their more up tempo 'quasi Celtic jig' all groups dance together towards the end. Now and then syncopated counterrhytms occur in accompanying parts.The 1st theme is from the manuscript of François-Joseph Jamin (early 19th century).