Torre Bermeja (Score)

Score only

0 Full Score A3 - 1 Full Score - 4 Flute I - 4 Flute II - 1 Oboe I - 1 Oboe II - 2 Bassoon - 1 Clarinet Eb - 4 Clarinet I - 4 Clarinet II - 4 Clarinet III - 1 Bass Clarinet - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 2 Trumpet I - 2 Trumpet II - 2 Trumpet III - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 2 Baritone Bb (BC) - 2 Baritone Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 1 Stringbass - 1 Percussion I - 1 Timpani

Although he was born in Catalonia, Albéniz was strongly attracted by the music of Southern Spain, Andalusia and especially Granada. He told his friends this was due to the fact he had 'Moorish blood' in his veins. 'Torre Bermeja' (the vermilion tower) is the last of a set of twelve characteristic pieces and is a passionate and fiery representation of an old Moorish prison tower located in the city of Granada. It was made famous by some guitar arrangements, such as those by Antonio Lozano and Andres Segovia. It is a typical serenade with an 'Andalusian touch' which boasts a splendid tune floating between guitar accompaniment elements.