Her book, written in the mid-20th century, is now published in full for the first time. It draws on her long experience as performer, broadcaster what she learnt from her teachers about Liszt¿s interpretation of the piano music of his contemporaries, in particular of his friend Chopin, how he wanted his own piano works performed, and what special techniques facilitated the interpretations he favoured, as well as his own virtuoso performance. This is presented in discussions of many well-known...