Telemann composed three dozen Fantasias, published in 1732. He deliberately set out to juxtapose the French and Italian styles. Marks of dynamics and of articulation have been added, and so have harmony notes of inner parts, which would have been improvised by the player in an 18th-century performance.

• Vivace, Mvt. 1 from Fantasia No. 8 in A minor (Third Dozen)
• Presto, Mvt. 1 from Fantasia No. 7 in A (Third Dozen)
• Allegro, Mvt. 1 from Fantasia No. 9 in B minor (Third Dozen)
• Vivace, Mvt. 1 from Fantasia No. 12 in Bb (Third Dozen)
• Gratioso, Mvt. 1 from Fantasia No. 6 in C minor (Third Dozen)
• Vivace, Mvt. 1 from Fantasia No. 2 in D minor (Third Dozen)
• Allegro, Mvt. 1 from Fantasia No. 10 in D (Third Dozen)
• Tempo giusto, Mvt. 1 from Fantasia No. 3 in E minor (Third Dozen) -...