Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms.
Obviously, the percussion section has a conspicious role to play, but the band too may indulge itself in moments of thoroughly delightful excitement.

The introduction depicts the awakening of nature, and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balap...