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This piece, written during the winter months of 2000-2001, consists of one movement, Allegro con fuoco, in which an old score is revisited, raided and ravished by its composer. The earlier music hadbeenwritten in the mid-fifties for a stage work Maratona di Danza and for its maker, the director Luchino Visconti.
Elements from the older piece reappear on and off like shadows under the surface of new ones, like more orlessvague memories, images of young people suffer...