The interest of guitarists concerning the possibility of transcribing works by C.P.E. Bach can be described as very lukewarm. Until a few decades ago, the limited knowledge and consideration of the composer in the field of historiography did not encourage guitarists to explore his work.

Finding eighteenth-century keyboard music which can adapt to the modern guitar is a stimulating undertaking but not without risks and misunderstandings. Historically, the attention of the performers has focuse...